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Esha Verma, Author at Filmcity One - Page 11 of 61
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About Esha Verma

Having graduated in Journalism from Mumbai University, Esha has always had a penchant for writing. It all started with penning down thoughts on social issues and starting the local college magazine. Post which she went on to pursue an MBA in communication management from Symbiosis International Institute which introduced her to the bustling field of Public Relations. She has dabbled in PR for over 2 years which includes working for reputed companies like Hanmer MS& L and Disney – UTV, where she largely worked on entertainment brands and movie channels. It is her passion for cinema, meeting people and her first love – writing that have now led her to become a writer. When not writing she pursues her other passions which includes advocacy for stray animals and exploring new places.
Latest Posts | By Esha Verma
Filming Katti Batti required a lot of internal thought
10 years ago

Filming Katti Batti required a lot of internal thought

Cinematographer Tushar Kanti Ray talks about capturing the many layers in Katti Batti, his approach to treating the two timelines in the film & more.
Read More

Prakash Jha’s Jai Gangaajal to release worldwide on March 4, 2016
10 years ago

Prakash Jha’s Jai Gangaajal to release worldwide on March 4, 2016

By  •  News, Bulletin

Jai Gangaajal revisits the Ajay Devgn blockbuster Gangaajal which dealt with a similar theme of a society’s relationship with it’s police.
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Our aim was to maintain a balance between grit & glamour in Hero
10 years ago

Our aim was to maintain a balance between grit & glamour in Hero

Cinematographer Tushar Kanti Ray shares the experience of shooting the romantic action drama, the making of the action sequences in Hero and more.
Read More

My music is very experimental
10 years ago

My music is very experimental

By  •  IndieSource

Singer-Composer Vasuda Sharma opens up about her musical journey, the experience of composing background music for The Path of Zarathustra and more.
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I understood the emotional grounds my character was standing on
10 years ago

I understood the emotional grounds my character was standing on

By  •  IndieSource

Actor Rushad Rana talks about his character in the The Path of Zarathustra, his transition from TV to movies, his upcoming projects and more.
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The title ‘Q’ stands as a question to society
10 years ago

The title ‘Q’ stands as a question to society

By  •  IndieSource

Filmmaker Sanjeev Gupta gets candid about the making of his debut film ‘Q’ & how winning the Gollapudi Srinivas Award has given an immense boost to the film.
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The main idea was to take the film to the audience
10 years ago

The main idea was to take the film to the audience

By  •  IndieSource

Filmmaker Sumantra Roy talks about the genesis and making of his film, Without A Notch Of Blue, the significance of having a medium like Fliqvine and more.
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The difficulty always increases when you are shooting travel
10 years ago

The difficulty always increases when you are shooting travel

Ace Cinematographer Sameer Arya shares the experience of shooting All is Well and the challenges of working on a travel story among other things.
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Classical animation will never disappear because its results are different
10 years ago

Classical animation will never disappear because its results are different

Filmmaker Enrique Diego takes us through the making of his animated short film, Rupestre, that was part of the recently concluded Jagran Film Festival.
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Editing gives a lot of perspective about storytelling
10 years ago

Editing gives a lot of perspective about storytelling

By  •  E-Zine

Editor Pratik Chitalia talks about his approach to editing Manjhi – The Mountain Man, the challenges faced, the importance of perspective in editing & more.
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