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domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init
action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /home2/zgqibfmy/public_html/filmcity/wp-includes/functions.php on line 6121Award-winning Production Designer Sumit Basu shares with us the important guidelines to excel in the art of production design
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Best known for his performances in movies like Noorie, Umrao Jaan, Chashme Buddoor and the most recent one Shanghai, Indian actor Farooq Sheikh passes away
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Cinematographer Sudeep Chatterjee explains us the technicalities of shooting Dhoom 3, a film studded with high-octane action and spectacular song sequences
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Pandolin enlists the most successful and sensible editors of the modern Indian cinema who have managed to carve a niche for themselves in the film industry
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In an exclusive interview, Srinivas explains the new format of The Dewarists, his collaboration with the artists and the thought process that went into creating themes for this show.
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On the release of his latest project, Gori Tere Pyaar Mein, the cinematographer Mahesh Limaye talks to Pandolin about the making of this film
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Rajjo narrates the story of the modern times in Mumbai, so we got into the history of Mumbai kothas and the life of nautch girls in this city
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Ram-Leela was obviously supposed to be grand and larger than life since SLB wanted to capture the architecture of Gujarat and its royal havellis.
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In Krrish 3, every second shot needed VFX treatment because Hrithik is flying at a 60 feet height with the help of safety ropes
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Krrish 3 needed a very particular and precise kind of camera movement, as it has to be planned and traveled along with the character of Krrish
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