11 years ago
We have done a lot of ‘jugaad’ work in this film – K U Mohanan
Ace cinematographer K U Mohanan speaks to Pandolin about the making of Fukrey and the novel approach adopted to shoot this light-hearted film.
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11 years ago
Yamla Pagla Deewana 2 has escapism at its core: Neha Parti
YPD 2 represents the absolute best of escapist cinema. It aims at making the audience laugh out loud and get their money worth for the close to 3 hours.
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11 years ago
I simulate reality in a glamorous way – V Manikandan
Cinematographer V Manikandan talks to Pandolin about his film, Yeh Jawaani Hai Deewani and what went into the making of this vibrant romantic film.
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11 years ago
Aurangzeb is not just an action thriller but a very intense film: Karthik Ganesh
“Since there are lots of gray shades in the characters, the look of the film also starts getting lots of shades as the story progresses”, says Karthik Ganesh, …
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11 years ago
A Welcome Recognition
Karthik Muthukumar who bagged the Best Cinematographer award at the First National Students’ Film Festival spoke to Pandolin about his film ‘Skylab is Falling’
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11 years ago
A period film always has its challenges – Sameer Arya
Sameer Arya speaks to Pandolin about the making of the action-packed gangster flick, Shootout at Wadala, He discusses the treatment, challenges and more.
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11 years ago
Steadicam is a Great Tool but Not a Substitute for Everything: Adi Visser
On the release of his latest film project Aashiqui 2, Pandolin chats with this proficient steadicam operator who is based in Cape Town.
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11 years ago
Pratik’s romance with the lens
The challenge of standing by the premise of the script and controlling the scope of creativity over a piece of 120 minutes is what Pratik Deora finds intensely alluring. Pandolin chats with cinematographer, Pratik Deora (in bold) who talks about his period film, Shudra – The Rising and how he’s tried to capture a rare moment in time on celluloid.
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11 years ago
I don’t look at it as just a romantic comedy but a dramatic piece – Manoj Lobo
The cinematographer speaks to Pandolin about his latest film, Nautanki Saala.
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11 years ago
“My kind of cinematography is plain and simple” – Sejal Shah
Sejal talks about his association with Producer Vipul Shah, shooting in the challenging forest locations and creating a palette out of natural light.
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