8 years ago
My focus was on Not lighting rather than Lighting: Sirsha Ray
Konkana Sensharma’s directorial debut ‘A Death in the Gunj’ is a tale set in McCluskieganj (Jharkhand) in the late 70s. The film based in the era of raw …
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8 years ago
Mirror Game isn’t a traditional Bollywood film – Joshua
American Cinematographer Joshua Echevarria makes his debut in Bollywood with the upcoming psychological thriller Mirror Game. The film revolves around a university professor (Pravin Dabas) who is looking …
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8 years ago
Framed each shot of Baahubali 2 for Cinemascope and IMAX format: Senthil
Baahubali 2 Cinematographer K.K.Senthil Kumar talks about the experience of shooting the epic saga.
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8 years ago
IWCC – Celebrating Women Cinematographers
The Indian Women Cinematographers’ Collective (IWCC) will function as a nurturing space to empower female cinematographers and celebrate their work
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8 years ago
Exploring cinematic realism in Raees with Cinematographer K U Mohanan
DoP K U Mohanan discusses how he bought alive the story of Rahul Dholakia’s Raees.
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8 years ago
I Guess I’m Just Fond Of Dark Stuff! – Tapan Basu
In a freewheeling chat with Pandolin, Tapan Basu talks about his love for thrillers, the approach to shooting his debut film Kahaani 2 and more.
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8 years ago
The Idea Was To Represent The Uniqueness Of Mumbai – Ravi K Chandran
Cinematographer Ravi K Chandran spoke to us about the making of Ok Jaanu, the challenge of representing Mumbai on screen and more.
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8 years ago
As a cinematographer, you have to serve the story – Aseem Bajaj
Shivaay cinematographer Aseem Bajaj shares his style of working, lessons he learned as a producer and how he welcomed the shift to digital filmmaking.
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8 years ago
Rock On 2 is much more than a normal musical film – Marc
Marc Koninckx talks to Pandolin about working on Rock On 2, the beauty of Shillong and it’s people and how passion makes working heavenly.
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8 years ago
Exclusive: Making of Mirzya with DOP Pawel Dyllus
Polish Cinematographer Pawel Dyllus talks about the making of Rakeysh Omprakash Mehra’s Mirzya.
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