8 years ago
We did not attempt to beautify anything deliberately: Sudheer
Ace cinematographer Sudheer Palsane who has earlier worked with Neeraj Pandey in Baby talks to Pandolin about the making of M.S. Dhoni – The Untold Story
Read More
8 years ago
The slow movement of the camera brings thrill to a scene: Manoj Soni
Cinematographer of Raaz Reboot, Manoj Soni gives us a peek into the making of his first horror flick and the experience of working with Vikram Bhatt
Read More
8 years ago
Main task was getting correct angles for golf sequences: Mahesh Limaye
Cinematographer Mahesh Limaye spoke to Pandolin about shooting Freaky Ali, India’s first full-fledged film on golf.
Read More
8 years ago
Though the film is set abroad, we wanted an Indian look: Ravi K Chandran
DOP Ravi K Chandran shares the experience of shooting his first digital film Baar Baar Dekho, working with director Nitya Mehra and more.
Read More
8 years ago
The shots in Akira had to be shaky and real – R. D. Rajasekhar
Cinematographer R.D. Rajasekhar talks about the challenges of shooting his first Hindi film, about remakes in general and and working with a female hero.
Read More
8 years ago
People will see an amazing side of India in SMTT – Arshad Khan
From Kashmir to the Sunburn festival in Goa, Cinematographer Arshad Khan takes us through the journey of his debut film Sunshine Music Tours & Travels
Read More
8 years ago
Mohenjo Daro is my first digital feature film – C.K.Muraleedharan
Ace cinematographer C.K.Muraleedharan shares all that went into the making of an elaborate period drama like Mohenjo Daro
Read More
8 years ago
Production Posts – Rustom
Writer Vipul Rawal, cinematographer Santosh Thundiyil & costume designer Ameira Punvani, unveil the do’s and innumerable ‘to be done’s’ behind Rustom
Read More
8 years ago
Dishoom has a good mix of grunge and glamour – Ayananka Bose
Ayananka Bose talks about his camaraderie with director Rohit Dhawan, influence of paintings in his art & how shooting Dishoom was an organic process.
Read More
8 years ago
My lensing and lighting was a reaction to the performances: Avinash
A conversation with a cinematographer mostly revolves around terms and technicalities. Not often do you share a philosophical dialogue with a DOP. But when you talk to cinematographer-filmmaker …
Read More
