9 years ago
Titli is the toughest film I have done in my career.
Cinematographer Siddharth Diwan who spun magic in Queen elaborates on the treatment adopted to give the film a realistic look .
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9 years ago
Production Posts: Main aur Charles
Candid conversations with Costume Designer, Production Designer and Cinematographer on the making of Main aur Charles.
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9 years ago
Jazbaa has the most stylized indoor scenes ever shot in Indian cinema
Cinematographer Sameer Arya Sameer talks about the experimental color palette adopted in Jazbaa and what makes it different from his previous films.
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9 years ago
Filming Katti Batti required a lot of internal thought
Cinematographer Tushar Kanti Ray talks about capturing the many layers in Katti Batti, his approach to treating the two timelines in the film & more.
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9 years ago
Behind The Lens With Aseem Mishra
Post Bajrangi Bhaijaan & Phantom, Cinematographer Aseem Mishra talks about the intricacies of his work, his approach to filming & the view through his lens.
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9 years ago
Our aim was to maintain a balance between grit & glamour in Hero
Cinematographer Tushar Kanti Ray shares the experience of shooting the romantic action drama, the making of the action sequences in Hero and more.
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9 years ago
The difficulty always increases when you are shooting travel
Ace Cinematographer Sameer Arya shares the experience of shooting All is Well and the challenges of working on a travel story among other things.
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9 years ago
Gour Hari Dastaan is a story that could bring change to the country
Alphonse Roy talks about his interest in biopics, association with Ananth Mahadevan & the challenges of shooting a period film like Gour Hari Dastaan.
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9 years ago
The climax of Bajrangi Bhaijaan was very difficult to shoot.
Aseem Mishra, Cinematographer of the mega hit Bajrangi Bhaijaan, talks about his association with Kabir Khan, his visual reading of the scripts and how the debate between digital and film is never-ending.
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9 years ago
I was always on the edge
Mark Nutkins, Cinematographer of soon to be releasing Welcome to Karachi, shares his experiences of working with Indian film crew for the very first time and his visual design and techniques for the film.
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