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12 years ago
In an exclusive interview, Srinivas explains the new format of The Dewarists, his collaboration with the artists and the thought process that went into creating themes for this show.
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12 years ago
On the release of his latest project, Gori Tere Pyaar Mein, the cinematographer Mahesh Limaye talks to Pandolin about the making of this film
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Rajjo narrates the story of the modern times in Mumbai, so we got into the history of Mumbai kothas and the life of nautch girls in this city
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Ram-Leela was obviously supposed to be grand and larger than life since SLB wanted to capture the architecture of Gujarat and its royal havellis.
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12 years ago
“It wasn’t easy – people looked at us and said that we are too young to do the kind of films we were pitching. We decided to start …
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12 years ago
In Krrish 3, every second shot needed VFX treatment because Hrithik is flying at a 60 feet height with the help of safety ropes
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12 years ago
Krrish 3 needed a very particular and precise kind of camera movement, as it has to be planned and traveled along with the character of Krrish
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12 years ago
Hansal Mehta’s Shahid won appreciation from the audience as well as critics. The cinematography of the film is as realistic as the film’s story. Shahid‘s Cinematographer, Anuj Dhawan came on …
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12 years ago
In a candid chat with Pandolin, debutant director Saurabh Varma talks about the making of his first film Mickey Virus, a quirky comedy thriller set in Delhi
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“The best part about living your life as an artist is that you live fearlessly. I am fearless,” says Chandan Roy Sanyal. His latest film Prague may have …
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