13 years ago
What’s in a name – A lot! If you’re ‘the B Grade film | A Pandolin Exclusive!
Debutante producer director duo – Prachi Manmohan and Nivedita Basu: Two powerhouses belonging to the emerging breed of female filmmakers. Here in conversation with Pandolin as they share their thoughts on the changing face of women filmmakers and also provide exclusive details on their upcoming project
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13 years ago
The Style – Bender
Master cinematographer, KU Mohanan, speaks to Pandolin about creating a unique aesthetic in Reema Kagti’s Talaash by blending different kinds of shooting styles to produce an innovative narrative …
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13 years ago
Desperate Times, Disparate Skills
Sharat Katariya discusses the travails that lie oft in the path of love while solving many riddles of small budget film.
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13 years ago
Isha Mantry – Bollywood works on Jugaad
Bollywood is perhaps the only film industry in the world that manages to capture beautiful heroines in an even more beautiful chiffon saree right in the middle of
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13 years ago
Cutting it cold with ace editor, Namrata Rao
Ace film editor, Namrata Rao, speaks to Pandolin about how she went about editing Yash Chopra’s last romance drama, Jab Tak Hai Jaan
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13 years ago
Self-Taught Choreographer of Bollywood – Ganesh Acharya
Be it sensuous Kunda Khol, sexy Halkat Jawani, energetic Chikni Chameli, stylish Dabangg and Singham, sassy Beedi Jalaile, or cool
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13 years ago
Anil Mehta on practicing the nuanced Art of Cinematography and his role as the Director of Photography in Yash Chopra’s Jab Tak Hai Jaan
Filmmaker par excellence, Anil Mehta, speaks to Pandolin about breathing reel life simply into the new Shahrukh Khan starrer, Jab Tak Hai Jaan
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13 years ago
Turbanator on a Roll with master cinematographer Aseem Bajaj
Pandolin presents to you some scintillating insight from this seasoned artiste into a most interesting episode in contemporary Hindi filmmaking.
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13 years ago
It is not at all scary backstage – Nidhi Yasha
In a very short span of her career, the costume designer Nidhi Yasha has worked in the impressive number of tele-serials and films which include the horror flicks
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13 years ago
A Sunlit Sonnet- A Clinical Insight into the Art of Naturalist Cinematography in Sameer Sharma’s Luv Shuv Tey Chicken Khurana
Cinematographer, Mitesh Mirchandani, loves the 35mm lens and likes to have a naturalistic go at his subjects.
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