Production

Often perceived as Mr. Moneybags though that’s not the only hat a producer dons. He’s the big man who brings alive a project, tells
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She doesn’t just construct a set or rearrange furniture on a live location that is conducive to a film scene. She designs the overall visual look of the
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National award winning editor Apurva Asrani, known for films such as Satya, Shahid, Children Of War, and more recently City Lights
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Sidharth Meer, on his experience of working as a DIT in the industry, the new technical breakthroughs and more.
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Rajjo narrates the story of the modern times in Mumbai, so we got into the history of Mumbai kothas and the life of nautch girls in this city
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Ram-Leela was obviously supposed to be grand and larger than life since SLB wanted to capture the architecture of Gujarat and its royal havellis.
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Angelica Monica Bhowmick, an award-winning and internationally known production designer, talks to Pandolin about the making of film, War Chhod Na Yaar.
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Production designer Rajat Poddar tells us about the creative approach, he adopted for his widely acclaimed film Barfi and the recently released Grand Masti
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[dropcap]H[/dropcap]e calls his films ‘Cinema with Power’, and a way to have dialogues with the society. Eminent independent filmmaker, who loves to explore socio-political subjects based on real-life …
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In a free-wheeling chat, actor Rajeev Khandelwal relives the unsaid moments of his initial struggle,career and life. For him, nothing succeeds like success.
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