7 years ago
I don’t want to make films that help you escape, I want to make films that make you think that life is wild and beautiful: Ashim Ahluwalia
After an in depth insight into the making of Daddy, Director Ashim Ahluwalia continues his conversation with Pandolin. In a freewheeling chat, he shares his thoughts on studios …
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7 years ago
Loved the idea of making a film about a gangster who never really wanted to be one – Ashim Ahluwalia
Ashim Ahluwalia, a name that resonates with independent cinema has raised eyebrows with his latest directorial venture Daddy, a biopic on gangster turned politician Arun Gawli featuring actor …
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11 years ago
Satyagraha was shot like a documentary – Sachin Krishn
Cinematographer Sachin Krishn tells Pandolin about the making of Satyagraha which was treated like a documentary and the experience of shooting this film.
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11 years ago
Roy First Look
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Here’s the First look of T-series’ next production venture, Roy, Directed by Vikramjit Singh and starring Ranbir Kapoor in the lead role along with Arjun Rampal and …
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11 years ago
There is a choreography between the camera and the actors in the film – Tushar Kanti Ray
Cinematographer Tushar Kanti Ray speaks to Pandolin about the making of the action thriller ‘D Day’, his shooting style and the techniques adopted.
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11 years ago
10 Films to Watch in 2013
[dropcap]The [/dropcap]year 2012 saw a paradigm shift in Hindi cinema with the women centric films like ‘Kahaani’ and ‘English Vinglish’ leaving their marks, while small budget films like …
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11 years ago
Inkaar Theatrical Trailer – A
Inkaar has Arjun Rampal and Chitrangda Singh in the lead roles and is directed by Sudhir Mishra. The film hits cinema halls on 18th January 2013.
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11 years ago
INKAAR POSTER
Written & Directed by Sudhir Mishra. With Arjun Rampal, Chitrangda Singh, Asheesh Kapur, Gaurav Dwivedi. Produced by Prakash Jha Productions, Viacom18 Motion Pictures & music by Shantanu Moitra.
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11 years ago
Acute Angle – The Camera and Cinematic Precision in Prakash Jha’s Chakravyuh
Sachin Krishn, speaks to Pandolin about the nuances of good cinematography and informs us about what went into capturing the intense drama that made the action in Chakravyuh come out alive and scathing.
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