9 years ago
The climax of Bajrangi Bhaijaan was very difficult to shoot.
Aseem Mishra, Cinematographer of the mega hit Bajrangi Bhaijaan, talks about his association with Kabir Khan, his visual reading of the scripts and how the debate between digital and film is never-ending.
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11 years ago
Breaking a new ground with Sidharth Meer
Sidharth Meer, on his experience of working as a DIT in the industry, the new technical breakthroughs and more.
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11 years ago
Queen is the first dance and song film shot by me: Siddharth Diwan
In an exclusive interview with Pandolin, cinematographer Siddharth Diwan talks about his experiences while shooting for Queen
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11 years ago
In Highway we have been faithful to the locations: Anil Mehta
National Award winning cinematographer Anil Mehta talks to Pandolin about his picturesque journey to uncharted territories for Highway
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11 years ago
There cannot be a second War Chhod Na Yaar: Sejal Shah
“It’s a cinema that has never be seen or heard before, something that I think our nation would sit up and take notice,” says veteran cinematographer Sejal Shah …
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11 years ago
The Lunchbox is a Mumbai Story: Michael Simmonds
Cinematographer Michael Simmonds tells Pandolin what went into the making of this deliciously served film, The Lunchbox (Dabba)
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11 years ago
Madras Cafe is a hard-hitting spy espionage film: Shoojit Sircar
Director Shoojit Sircar tells Pandolin how his latest film, Madras Cafe, doesn’t create any shock value but it definitely stirs you up and makes you think.
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11 years ago
There is sex but it is not intimate – Ajay Bahl
Director Ajay Bahl speaks to Pandolin about his film B.A. Pass wherein the script demanded that the actors don’t get comfortable with each other.
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11 years ago
Ramaiya Vastavaiya has a desi feel mixed with urban gloss: Kiran Deohans
Cinematographer Kiran Deohans speaks to Pandolin about the making of Ramaiya Vastavaiya, collaboration with director Prabhu Deva and debutant Girish Kumar.
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12 years ago
We have done a lot of ‘jugaad’ work in this film – K U Mohanan
Ace cinematographer K U Mohanan speaks to Pandolin about the making of Fukrey and the novel approach adopted to shoot this light-hearted film.
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