7 years ago
As a cinematographer, you have to serve the story – Aseem Bajaj
Shivaay cinematographer Aseem Bajaj shares his style of working, lessons he learned as a producer and how he welcomed the shift to digital filmmaking.
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8 years ago
Will the real azaadi please stand up!
A small, but power-packed word, ‘Azaadi‘ (freedom) encompasses many connotations and possibilities. In 1947, innumerable lives have been sacrificed to attain independence. But today, 69 years later, has …
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8 years ago
We won’t be doing the regular ‘Saas-Bahu’ shows
National award-winning filmmaker Tigmanshu Dhulia talks about his return to TV and offering the same realism synonymous with his films.
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10 years ago
London Indian Film Festival: Film Screenings
The London Indian Film Festival (LIFF), returns to the capital in July 2014 for its fifth edition, bringing the best of Indian independent cinema. It has built on previous years successes …
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11 years ago
Rise of Blood and Violence in 100 Years of Indian Cinema
Spanning 100 years of Indian cinema, violence has become an integral part of Hindi films.
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11 years ago
Sound works at a more subconscious level than visual – Dileep Subramaniam
Sound maestro Dileep Subramaniam speaks to Pandolin about his approach towards sound for movies, the challenges faced, technological improvements and more.
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11 years ago
“Our Craft Can’t Be Explained” says Manoj Bajpai
‘All roles are my favourite. I am very choosy about the kind of roles I do. That’s why I have made very few mistakes in my career and …
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12 years ago
Making of Paan Singh Tomar with Cinematographer Aseem Mishra
It was this script, which was given to the actor Irrfan Khan and through him to cinematographer Aseem Mishra.
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