Pandolin catches master cinematographer Ashok Mehta in a candid mood as he talks about his craft, karma and life through the eyes of an artist.
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It was this script, which was given to the actor Irrfan Khan and through him to cinematographer Aseem Mishra.
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Confidence seems to be the mantra for the success of not only Ricky Bahl but also the Cinematographer of the film, Mr. Aseem Mishra.
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Here is a glance into the thoughts of the film’s Cinematographer, Ravi Yadav.
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First time director Amit Khanna, reveals his experience on the set of Tutiya Dil, a romantic comedy that has been praised for its dynamism and witty storytelling harm.
Could you tell us a …
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Making of Don2
A tête à tête with cinematographer Jason West reveals his experience shooting one of the most awaited movies of 2011, ‘Don 2.’ Filmed throughout South East Asia and Germany, …
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Cinematographer Bobby Singh shares his insights on one of the most talked about movies in Indian cinema, “The Dirty Picture,” over a cup of coffee at Adlabs cafeteria. The Dirty …
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[dropcap]A[/dropcap]mongst many responsibilities a Key Grip is the chief technician in charge of rigging lights and cameras to any stationary or moving surface. They are also safety officers on set. …
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Srinivas Mohan is an Indian visual effects designer, known for his works in S. Shankar films.
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Ravi K Chandran
Ravi K Chandran brings out the hard – hitting truth about the present condition of cinematographers in Indian Cinema Ravi K Chandran Journey There’s …
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