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Bang Bang was an extremely pressured shoot – Sunil Patel
10 years ago

Bang Bang was an extremely pressured shoot – Sunil Patel

Cinematographer Sunil Patel reveals why Bang Bang had three cameramen and the hard work that went into bringing alive the action dhamaka.
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Grandeur was the brief for Happy New Year – Manush Nandan
10 years ago

Grandeur was the brief for Happy New Year – Manush Nandan

Cinematographer Manush Nandan takes us behind the scenes on the making of the year’s much awaited film, Happy New Year.
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The lighting in 3 A.M. is in sync with the mood of the story: Vijay Mishra
10 years ago

The lighting in 3 A.M. is in sync with the mood of the story: Vijay Mishra

Cinematographer Vijay Mishra talks about the visual treatment employed for his first Hindi horror film 3 A.M., which stars Rannvijay Singh & Anindita Nayar.
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The cinematographic treatment envisaged was to keep it real yet amp the reality – Himman Dhamija
10 years ago

The cinematographic treatment envisaged was to keep it real yet amp the reality – Himman Dhamija

Cinematographer Himman Dhamija takes us behind the scenes to explore the making of the recently released Daawat-e-Ishq.
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The biggest challenge was to make the film look moving in terms of cinematography – Tushar Kanti Ray
10 years ago

The biggest challenge was to make the film look moving in terms of cinematography – Tushar Kanti Ray

Cinematographer Tushar Kanti Ray talks about the making of Khoobsurat and how they went about shooting this romantic comedy.
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Vikram got puppets made for the creature & characters for reference shots – Pravin Bhatt
10 years ago

Vikram got puppets made for the creature & characters for reference shots – Pravin Bhatt

Cinematographer Pravin Bhatt talks about his latest project Creature 3D, directed by son Vikram and how he turned winds of change in his favour.
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I try to find the psychological motivation (of the scene) to express visually – Rafey Mahmood
10 years ago

I try to find the psychological motivation (of the scene) to express visually – Rafey Mahmood

National Award-winner Rafey Mahmood who shoots movies, ads and teaches cinematography talks about the labour that goes into an art that he enjoys the most.
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The entire look and feel of Singham Returns is very different from Singham – Dudley
10 years ago

The entire look and feel of Singham Returns is very different from Singham – Dudley

Cinematographer Dudley gives Pandolin a lowdown on the making of the much awaited action packed masala entertainer Singham Returns.
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We tried to visualize the supernatural bit with a progressive approach – Jayakrishna Gummadi
10 years ago

We tried to visualize the supernatural bit with a progressive approach – Jayakrishna Gummadi

National Award-winning cinematographer Jayakrishna Gummadi speaks to Pandolin about the making of his first Hindi film, the supernatural thriller, Pizza.
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Humpty Sharma Ki Dulhania is a feel good film that is close to reality – Neha Parti
10 years ago

Humpty Sharma Ki Dulhania is a feel good film that is close to reality – Neha Parti

Neha speaks to Pandolin about the making of her latest film, Humpty Sharma Ki Dulhania, and shares insights into the making of this romantic comedy.

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