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Featured Archives - Page 77 of 89 - Filmcity One
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Ghanchakkar’s climax was challenging to shoot– Satyajit Pande
12 years ago

Ghanchakkar’s climax was challenging to shoot– Satyajit Pande

I did not shoot any promo songs neither did Raj direct it,” cinematographer Satyajit Pande made it clear when he was asked about the song ‘Lazy lad’ in …
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We wanted Dilli to be visually unique – Sushmit Ghosh
12 years ago

We wanted Dilli to be visually unique – Sushmit Ghosh

Called ‘Dilli’, the film made to official selection in 60 international film festivals and won 18 awards including of ‘Best Film’ and ‘Best Cinematography’.
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Iconic History of B R Films and Chopra Brothers
12 years ago

Iconic History of B R Films and Chopra Brothers

By  •  POV

Together, the Chopra brothers worked on to create cinema that was not only entertaining but also thought-provoking.
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Morale boosting stories in Hindi Cinema
12 years ago

Morale boosting stories in Hindi Cinema

By  •  POV

Pandolin takes a look at some of the recent films that can boost your morale when low and change the way you perceive life.
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Rise of Organized Film Production in India
12 years ago

Rise of Organized Film Production in India

By  •  POV

Advent of corporate houses has introduced proper budgeting, time management and contractual agreements with directors and actors.
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Oonga explores a collision of cultures – Devashish Makhija
12 years ago

Oonga explores a collision of cultures – Devashish Makhija

Devashish Makhija speaks to Pandolin about the making of Oonga that traces the predicament of adivasis being victimized under the pretext of development.
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Documentary is a vibrant and potent genre – Geetika Narang Abbasi
12 years ago

Documentary is a vibrant and potent genre – Geetika Narang Abbasi

By  •  IndieSpeak

Filmmaker Geetika Narang Abbasi shares the making of her documentary Much Ado About Knotting, the scene of independent filmmaking in India and much more.
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The Golden Era of Raj Kapoor and RK Films
12 years ago

The Golden Era of Raj Kapoor and RK Films

By  •  POV

Most of the Raj Kapoor movies were based on social and sentimental themes embracing romance at its core.
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For Chennai people, Bollywood is Hollywood: N K Ekhambram
12 years ago

For Chennai people, Bollywood is Hollywood: N K Ekhambram

Being a romantic thriller, the film entails basically two kinds of visuals. One is the soft fairy tale romance between Neil Nitin Mukesh and Puja Gupta, while the other one is in contrast portraying a cold war situation between Neil and Ameesha patel.
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The main idea in Raanjhanaa was to maintain realism – Nataraja Subramanian
12 years ago

The main idea in Raanjhanaa was to maintain realism – Nataraja Subramanian

Master cinematographer Nataraja Subramanian speaks to Pandolin about the making of the intense and much-awaited love story, Raanjhanaa.
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