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action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /home2/zgqibfmy/public_html/filmcity/wp-includes/functions.php on line 6121“I did not shoot any promo songs neither did Raj direct it,” cinematographer Satyajit Pande made it clear when he was asked about the song ‘Lazy lad’ in …
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Called ‘Dilli’, the film made to official selection in 60 international film festivals and won 18 awards including of ‘Best Film’ and ‘Best Cinematography’.
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Together, the Chopra brothers worked on to create cinema that was not only entertaining but also thought-provoking.
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Pandolin takes a look at some of the recent films that can boost your morale when low and change the way you perceive life.
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Advent of corporate houses has introduced proper budgeting, time management and contractual agreements with directors and actors.
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Devashish Makhija speaks to Pandolin about the making of Oonga that traces the predicament of adivasis being victimized under the pretext of development.
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Filmmaker Geetika Narang Abbasi shares the making of her documentary Much Ado About Knotting, the scene of independent filmmaking in India and much more.
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Most of the Raj Kapoor movies were based on social and sentimental themes embracing romance at its core.
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Being a romantic thriller, the film entails basically two kinds of visuals. One is the soft fairy tale romance between Neil Nitin Mukesh and Puja Gupta, while the other one is in contrast portraying a cold war situation between Neil and Ameesha patel.
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Master cinematographer Nataraja Subramanian speaks to Pandolin about the making of the intense and much-awaited love story, Raanjhanaa.
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