With her upcoming film Sonata, which is an adaptation of a play, Aparna Sen celebrates female bonding and explores various aspects of the ‘feminine’.
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Inspiration happens everywhere and you cannot ignore references because at the end of the day, you cannot experience everything.
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Cinematographer Tushar Kanti Ray speaks to Pandolin about the making of the action thriller ‘D Day’, his shooting style and the techniques adopted.
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Renowned lighting technician, Mulchand Dedhia, shares his insights about various sources of light used in the filming process and the effects they create.
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Pandolin speaks to ace cinematographer Tribhuvan Babu on the techniques to shoot a horror film with respect to Ragini MMS.
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Storytelling through a photographer’s lens. Bangalore based photographer Abhishek Anupam speaks to Pandolin about his unique photo story ‘Naina’.
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The challenge of standing by the premise of the script and controlling the scope of creativity over a piece of 120 minutes is what Pratik Deora finds intensely alluring. Pandolin chats with cinematographer, Pratik Deora (in bold) who talks about his period film, Shudra – The Rising and how he’s tried to capture a rare moment in time on celluloid.
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When an artiste bids adieu to the material world, what goes is not mere matter, but a soul and ideas that could create the world anew in the …
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Cinematographer Bobby Singh shares his insights on one of the most talked about movies in Indian cinema, “The Dirty Picture,” over a cup of coffee at Adlabs cafeteria. The Dirty …
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[dropcap]A[/dropcap]mongst many responsibilities a Key Grip is the chief technician in charge of rigging lights and cameras to any stationary or moving surface. They are also safety officers on set. …
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