9 years ago
In editing you have to unveil layers that are not visible
Editor Tushar Goghale tells all about the process of editing The Path of Zarathustra, his experience on this film and how editing is not merely cutting.
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9 years ago
I didn’t make The Path of Zarathustra with an audience in mind
Oorvazi Irani, the Director of The Path of Zarathustra talks about the importance of making a film that addresses the dwindling number of Parsis.
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9 years ago
In The Path Of Zarathustra production design isn’t just a prop
In an exclusive chat architect-cum-production designer Pooja Shetty tell us how she re-created the Parsi world and life for The Path Of Zarathustra.
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9 years ago
Indian audiences are happy to see content – driven films
Producer Sorab Irani talks about his latest film, The Path of Zarathustra, being a producer in the industry and the changing tastes of Indian audiences.
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9 years ago
I understood the emotional grounds my character was standing on
Actor Rushad Rana talks about his character in the The Path of Zarathustra, his transition from TV to movies, his upcoming projects and more.
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12 years ago
Parsis got an image makeover – Shirid Farhad ki toh nikal padi
It is Farah Khan’s first stint in acting through Bela Bhansali Sehgal’s film ‘Shirin Farhad Ki Toh Nikal Padi’. None has imagined the choreographer
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