9 years ago
My music is very experimental
Singer-Composer Vasuda Sharma opens up about her musical journey, the experience of composing background music for The Path of Zarathustra and more.
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9 years ago
We had to ensure that the mood of the scene was conveyed with colors
Suvarnareha Jadhav, the mind behind the clothes of The Path of Zarathustra talks about designing costumes & using colors that suited the mood of the film.
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9 years ago
In editing you have to unveil layers that are not visible
Editor Tushar Goghale tells all about the process of editing The Path of Zarathustra, his experience on this film and how editing is not merely cutting.
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9 years ago
I didn’t make The Path of Zarathustra with an audience in mind
Oorvazi Irani, the Director of The Path of Zarathustra talks about the importance of making a film that addresses the dwindling number of Parsis.
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9 years ago
In The Path Of Zarathustra production design isn’t just a prop
In an exclusive chat architect-cum-production designer Pooja Shetty tell us how she re-created the Parsi world and life for The Path Of Zarathustra.
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9 years ago
Indian audiences are happy to see content – driven films
Producer Sorab Irani talks about his latest film, The Path of Zarathustra, being a producer in the industry and the changing tastes of Indian audiences.
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