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Parsi film

My music is very experimental
9 years ago

My music is very experimental

By  •  IndieSource

Singer-Composer Vasuda Sharma opens up about her musical journey, the experience of composing background music for The Path of Zarathustra and more.
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We had to ensure that the mood of the scene was conveyed with colors
9 years ago

We had to ensure that the mood of the scene was conveyed with colors

By  •  IndieSource

Suvarnareha Jadhav, the mind behind the clothes of The Path of Zarathustra talks about designing costumes & using colors that suited the mood of the film.
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In editing you have to unveil layers that are not visible
9 years ago

In editing you have to unveil layers that are not visible

By  •  IndieSource

Editor Tushar Goghale tells all about the process of editing The Path of Zarathustra, his experience on this film and how editing is not merely cutting.
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I didn’t make The Path of Zarathustra with an audience in mind
9 years ago

I didn’t make The Path of Zarathustra with an audience in mind

Oorvazi Irani, the Director of The Path of Zarathustra talks about the importance of making a film that addresses the dwindling number of Parsis.
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In The Path Of Zarathustra production design isn’t just a prop
9 years ago

In The Path Of Zarathustra production design isn’t just a prop

In an exclusive chat architect-cum-production designer Pooja Shetty tell us how she re-created the Parsi world and life for The Path Of Zarathustra.
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Indian audiences are happy to see content – driven films
9 years ago

Indian audiences are happy to see content – driven films

By  •  IndieSource

Producer Sorab Irani talks about his latest film, The Path of Zarathustra, being a producer in the industry and the changing tastes of Indian audiences.
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