9 years ago
Titli is the toughest film I have done in my career.
Cinematographer Siddharth Diwan who spun magic in Queen elaborates on the treatment adopted to give the film a realistic look .
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10 years ago
Hasee Toh Phasee was shot at a different dramatic level: Sanu John Varughese
Known for his impeccable camerawork, cinematographer Sanu John Varughese speaks to Pandolin about the making of this lighthearted film, Hasee Toh Phasee
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11 years ago
We wanted Shahid to look as real as possible – Anuj Dhawan
Hansal Mehta’s Shahid won appreciation from the audience as well as critics. The cinematography of the film is as realistic as the film’s story. Shahid‘s Cinematographer, Anuj Dhawan came on …
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11 years ago
Madras Cafe is a mainstream film with an independent spirit – Kamaljeet Negi
Cinematographer Kamaljeet Negi speaks to Pandolin about the making of the political thriller, Madras Cafe, and his experience of shooting this film.
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11 years ago
Pratik’s romance with the lens
The challenge of standing by the premise of the script and controlling the scope of creativity over a piece of 120 minutes is what Pratik Deora finds intensely alluring. Pandolin chats with cinematographer, Pratik Deora (in bold) who talks about his period film, Shudra – The Rising and how he’s tried to capture a rare moment in time on celluloid.
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