8 years ago
We are conditioned to value fair over dark and dusky skin tones: Akshay
Indian society’s disturbing obsession with fair skin prompted actor – writer Akshay Singh to base his directorial debut around it.
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9 years ago
‘Un Plus Une’ to be the closing film at Jio MAMI
Claude Lelouch’s latest directorial venture, ‘Un Plus Une’ will close the Jio MAMI 17th Mumbai Film Festival With Star India. The film premiered at the Toronto International Film Festival and …
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11 years ago
Ram-Leela has both realism and SLB signature style : Wasiq Khan
Ram-Leela was obviously supposed to be grand and larger than life since SLB wanted to capture the architecture of Gujarat and its royal havellis.
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11 years ago
Mickey Virus is a complete family entertainer: Saurabh Varma
In a candid chat with Pandolin, debutant director Saurabh Varma talks about the making of his first film Mickey Virus, a quirky comedy thriller set in Delhi
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11 years ago
Rise of Organized Film Production in India
Advent of corporate houses has introduced proper budgeting, time management and contractual agreements with directors and actors.
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12 years ago
“My kind of cinematography is plain and simple” – Sejal Shah
Sejal talks about his association with Producer Vipul Shah, shooting in the challenging forest locations and creating a palette out of natural light.
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12 years ago
Reinventing Black and White with master cinematographer Sanu Varghese
Sanu shares his experience of recreating the beauty of black and white in David.
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12 years ago
Acute Angle – The Camera and Cinematic Precision in Prakash Jha’s Chakravyuh
Sachin Krishn, speaks to Pandolin about the nuances of good cinematography and informs us about what went into capturing the intense drama that made the action in Chakravyuh come out alive and scathing.
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