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We are conditioned to value fair over dark and dusky skin tones: Akshay
9 years ago

We are conditioned to value fair over dark and dusky skin tones: Akshay

By  •  IndieSource, IndieSpeak

Indian society’s disturbing obsession with fair skin prompted actor – writer Akshay Singh to base his directorial debut around it.
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‘Un Plus Une’ to be the closing film at Jio MAMI
10 years ago

‘Un Plus Une’ to be the closing film at Jio MAMI

By  •  Bulletin, News

Claude Lelouch’s latest directorial venture, ‘Un Plus Une’ will close the Jio MAMI 17th Mumbai Film Festival With Star India. The film premiered at the Toronto International Film Festival and …
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Ram-Leela has both realism and SLB signature style : Wasiq Khan
12 years ago

Ram-Leela has both realism and SLB signature style : Wasiq Khan

By  •  Production, E-Zine

Ram-Leela was obviously supposed to be grand and larger than life since SLB wanted to capture the architecture of Gujarat and its royal havellis.
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Mickey Virus is a complete family entertainer: Saurabh Varma
12 years ago

Mickey Virus is a complete family entertainer: Saurabh Varma

By  •  Direction, E-Zine

In a candid chat with Pandolin, debutant director Saurabh Varma talks about the making of his first film Mickey Virus, a quirky comedy thriller set in Delhi
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Rise of Organized Film Production in India
13 years ago

Rise of Organized Film Production in India

By  •  POV

Advent of corporate houses has introduced proper budgeting, time management and contractual agreements with directors and actors.
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“My kind of cinematography is plain and simple” – Sejal Shah
13 years ago

“My kind of cinematography is plain and simple” – Sejal Shah

By  •  Cinematography, E-Zine

Sejal talks about his association with Producer Vipul Shah, shooting in the challenging forest locations and creating a palette out of natural light.
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Reinventing Black and White with master cinematographer Sanu Varghese
13 years ago

Reinventing Black and White with master cinematographer Sanu Varghese

By  •  Cinematography, E-Zine

Sanu shares his experience of recreating the beauty of black and white in David.
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Acute Angle – The Camera and Cinematic Precision in Prakash Jha’s Chakravyuh
13 years ago

Acute Angle – The Camera and Cinematic Precision in Prakash Jha’s Chakravyuh

By  •  Cinematography, E-Zine

Sachin Krishn, speaks to Pandolin about the nuances of good cinematography and informs us about what went into capturing the intense drama that made the action in Chakravyuh come out alive and scathing.
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