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Indian cinematography - What is cinematography, Indian cinema actresses history
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Cinematography

Madras Cafe is a mainstream film with an independent spirit – Kamaljeet Negi
13 years ago

Madras Cafe is a mainstream film with an independent spirit – Kamaljeet Negi

Cinematographer Kamaljeet Negi speaks to Pandolin about the making of the political thriller, Madras Cafe, and his experience of shooting this film.
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Chennai Express is different from any other film done by Rohit – Dudley
13 years ago

Chennai Express is different from any other film done by Rohit – Dudley

Cinematographer Dudley speaks to Pandolin about one of the most awaited films of the year, Chennai Express and all that went into the making of the film.
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Ramaiya Vastavaiya has a desi feel mixed with urban gloss: Kiran Deohans
13 years ago

Ramaiya Vastavaiya has a desi feel mixed with urban gloss: Kiran Deohans

Cinematographer Kiran Deohans speaks to Pandolin about the making of Ramaiya Vastavaiya, collaboration with director Prabhu Deva and debutant Girish Kumar.
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There is a choreography between the camera and the actors in the film – Tushar Kanti Ray
13 years ago

There is a choreography between the camera and the actors in the film – Tushar Kanti Ray

Cinematographer Tushar Kanti Ray speaks to Pandolin about the making of the action thriller ‘D Day’, his shooting style and the techniques adopted.
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Shooting races was the most complicated: Binod Pradhan
13 years ago

Shooting races was the most complicated: Binod Pradhan

Binod Pradhan talks about Bhaag Milkha Bhaag which has many layers in it and all those layers are very complicated but that is what makes the film exciting.
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Ghanchakkar’s climax was challenging to shoot– Satyajit Pande
13 years ago

Ghanchakkar’s climax was challenging to shoot– Satyajit Pande

I did not shoot any promo songs neither did Raj direct it,” cinematographer Satyajit Pande made it clear when he was asked about the song ‘Lazy lad’ in …
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For Chennai people, Bollywood is Hollywood: N K Ekhambram
13 years ago

For Chennai people, Bollywood is Hollywood: N K Ekhambram

Being a romantic thriller, the film entails basically two kinds of visuals. One is the soft fairy tale romance between Neil Nitin Mukesh and Puja Gupta, while the other one is in contrast portraying a cold war situation between Neil and Ameesha patel.
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The main idea in Raanjhanaa was to maintain realism – Nataraja Subramanian
13 years ago

The main idea in Raanjhanaa was to maintain realism – Nataraja Subramanian

Master cinematographer Nataraja Subramanian speaks to Pandolin about the making of the intense and much-awaited love story, Raanjhanaa.
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Raanjhanaa is emotion driven, not technique driven – Vishal Sinha
13 years ago

Raanjhanaa is emotion driven, not technique driven – Vishal Sinha

Ace cinematographer Vishal Sinha speaks about capturing the essence of Raanjhanaa and the simplicity involved in the making of the romantic film.
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