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Cinematography

Production Posts: Happy Ending
11 years ago

Production Posts: Happy Ending

By  •  Production, Cinematography, Costume & Make-up

The Director of Photography, Costume Designer and Production Designer of Happy Ending talk about the details that went in making the rom-com.
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The Shaukeens is a very contemporary set up – Amalendu Chaudhary
11 years ago

The Shaukeens is a very contemporary set up – Amalendu Chaudhary

By  •  Cinematography, E-Zine

Cinematographer Amalendu Chaudhary talks about The Shaukeens, his association with Abhishek Sharma and the treatment adopted for this project.
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Bang Bang was an extremely pressured shoot – Sunil Patel
11 years ago

Bang Bang was an extremely pressured shoot – Sunil Patel

By  •  Cinematography, E-Zine

Cinematographer Sunil Patel reveals why Bang Bang had three cameramen and the hard work that went into bringing alive the action dhamaka.
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Grandeur was the brief for Happy New Year – Manush Nandan
11 years ago

Grandeur was the brief for Happy New Year – Manush Nandan

By  •  Cinematography, E-Zine

Cinematographer Manush Nandan takes us behind the scenes on the making of the year’s much awaited film, Happy New Year.
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The lighting in 3 A.M. is in sync with the mood of the story: Vijay Mishra
11 years ago

The lighting in 3 A.M. is in sync with the mood of the story: Vijay Mishra

By  •  Cinematography, E-Zine

Cinematographer Vijay Mishra talks about the visual treatment employed for his first Hindi horror film 3 A.M., which stars Rannvijay Singh & Anindita Nayar.
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The cinematographic treatment envisaged was to keep it real yet amp the reality – Himman Dhamija
11 years ago

The cinematographic treatment envisaged was to keep it real yet amp the reality – Himman Dhamija

By  •  Cinematography, E-Zine

Cinematographer Himman Dhamija takes us behind the scenes to explore the making of the recently released Daawat-e-Ishq.
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The biggest challenge was to make the film look moving in terms of cinematography – Tushar Kanti Ray
11 years ago

The biggest challenge was to make the film look moving in terms of cinematography – Tushar Kanti Ray

By  •  Cinematography, E-Zine

Cinematographer Tushar Kanti Ray talks about the making of Khoobsurat and how they went about shooting this romantic comedy.
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Vikram got puppets made for the creature & characters for reference shots – Pravin Bhatt
11 years ago

Vikram got puppets made for the creature & characters for reference shots – Pravin Bhatt

By  •  Cinematography, E-Zine

Cinematographer Pravin Bhatt talks about his latest project Creature 3D, directed by son Vikram and how he turned winds of change in his favour.
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I try to find the psychological motivation (of the scene) to express visually – Rafey Mahmood
11 years ago

I try to find the psychological motivation (of the scene) to express visually – Rafey Mahmood

By  •  Cinematography, E-Zine

National Award-winner Rafey Mahmood who shoots movies, ads and teaches cinematography talks about the labour that goes into an art that he enjoys the most.
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‘I suggested using fewer colours’ : Cinematographer Artur Zurawski on the making of Mardaani
12 years ago

‘I suggested using fewer colours’ : Cinematographer Artur Zurawski on the making of Mardaani

By  •  Cinematography, E-Zine

Polish cinematographer Artur Zurawski talks about his latest film Mardaani.
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