10 years ago
Production Posts: Happy Ending
The Director of Photography, Costume Designer and Production Designer of Happy Ending talk about the details that went in making the rom-com.
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10 years ago
The Shaukeens is a very contemporary set up – Amalendu Chaudhary
Cinematographer Amalendu Chaudhary talks about The Shaukeens, his association with Abhishek Sharma and the treatment adopted for this project.
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10 years ago
Bang Bang was an extremely pressured shoot – Sunil Patel
Cinematographer Sunil Patel reveals why Bang Bang had three cameramen and the hard work that went into bringing alive the action dhamaka.
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10 years ago
Grandeur was the brief for Happy New Year – Manush Nandan
Cinematographer Manush Nandan takes us behind the scenes on the making of the year’s much awaited film, Happy New Year.
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10 years ago
The lighting in 3 A.M. is in sync with the mood of the story: Vijay Mishra
Cinematographer Vijay Mishra talks about the visual treatment employed for his first Hindi horror film 3 A.M., which stars Rannvijay Singh & Anindita Nayar.
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10 years ago
The cinematographic treatment envisaged was to keep it real yet amp the reality – Himman Dhamija
Cinematographer Himman Dhamija takes us behind the scenes to explore the making of the recently released Daawat-e-Ishq.
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10 years ago
The biggest challenge was to make the film look moving in terms of cinematography – Tushar Kanti Ray
Cinematographer Tushar Kanti Ray talks about the making of Khoobsurat and how they went about shooting this romantic comedy.
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10 years ago
Vikram got puppets made for the creature & characters for reference shots – Pravin Bhatt
Cinematographer Pravin Bhatt talks about his latest project Creature 3D, directed by son Vikram and how he turned winds of change in his favour.
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11 years ago
I try to find the psychological motivation (of the scene) to express visually – Rafey Mahmood
National Award-winner Rafey Mahmood who shoots movies, ads and teaches cinematography talks about the labour that goes into an art that he enjoys the most.
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11 years ago
‘I suggested using fewer colours’ : Cinematographer Artur Zurawski on the making of Mardaani
Polish cinematographer Artur Zurawski talks about his latest film Mardaani.
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