8 years ago
Midnight Delight picks up Best Drama-Comedy award
As the film continues to garner accolades & acclaim, filmmaker Rohit Gupta’s third directorial award winning film in a row Midnight Delight walks away with another grand …
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8 years ago
Dishoom has a good mix of grunge and glamour – Ayananka Bose
Ayananka Bose talks about his camaraderie with director Rohit Dhawan, influence of paintings in his art & how shooting Dishoom was an organic process.
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8 years ago
Waiting is largely shot from a static viewpoint – Neha
Neha shares her journey as the cinematographer of Waiting and the process she follows to realize the director’s vision and make the film a visual treat
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9 years ago
Shooting the cricket scenes in Azhar was challenging – Rakesh Singh
Capturing the life of one of India’s most prominent cricketers Mohammad Azharuddin, is certainly not an easy task. But Cinematographer Rakesh Singh has attempted to do so in …
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9 years ago
There is an undercurrent of style flowing through Fan – Manu Anand
Ahead of the release of Fan, cinematographer Manu Anand talks about the method behind the madness that a SRK title conjures up every time it hits screens.
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9 years ago
I like action films that have an emotional connect – Shanker Raman
Cinematographer Shanker Raman gives us an insight into the making of Rocky Handsome and how the emotions of the action play out throughout the film.
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9 years ago
Successful First Public Screening of Private Detective
The first public screening of Rajat Kapoor’s unreleased debut film, Private Detective: Two Plus Two Plus One (1997) organized by THE MASTERS received an overwhelming response from the audience.
A …
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9 years ago
K K Senthil Kumar conferred with Ravi K Potdar Award
The Ravi K Potdar award recognizes cinematographer K K Senthil Kumar’s immense contribution and dedication to the Indian Film Industry.
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9 years ago
Jazbaa has the most stylized indoor scenes ever shot in Indian cinema
Cinematographer Sameer Arya Sameer talks about the experimental color palette adopted in Jazbaa and what makes it different from his previous films.
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9 years ago
Behind The Lens With Aseem Mishra
Post Bajrangi Bhaijaan & Phantom, Cinematographer Aseem Mishra talks about the intricacies of his work, his approach to filming & the view through his lens.
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