Cinematographer Aseem Mishra gives Pandolin the inside dope on his recently released film Gunday.
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Contemporary cinematographer Santosh Thundiyil discusses the action sequences, lighting design and the camera setup employed for the shooting of Jai Ho
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Cinematographer Sudeep Chatterjee explains us the technicalities of shooting Dhoom 3, a film studded with high-octane action and spectacular song sequences
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Besharam is an extremely feel good film with tremendous bright and nice look, says ace cinematographer Madhu Vannier in an exclusive interview with Pandolin.
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Cinematographer Tushar Kanti Ray speaks to Pandolin about the making of the action thriller ‘D Day’, his shooting style and the techniques adopted.
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Being a romantic thriller, the film entails basically two kinds of visuals. One is the soft fairy tale romance between Neil Nitin Mukesh and Puja Gupta, while the other one is in contrast portraying a cold war situation between Neil and Ameesha patel.
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Prana Studios has placed the winning bid to acquire Rhythm and Hues. A US bankruptcy court has approved the sale of Academy Award-winning visual effects and animation studio …
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Breaking conventional norms of creating a thriller – Sunil Patel on Murder 3 . He shares his experience on what went into the making of the thriller.
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Rhythm and Hues Studios, the visual effects producer for Ang Lee’s Life of Pi has filed for bankruptcy proceedings in the United States. This comes after a failed …
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Directed by Abbas – Mustan, the sequel to the hit film ‘Race’, Race 2 has been lauded for its well – crafted and exceptional camera work by ace cinematographer Ravi Yadav.
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