7 years ago
Production Posts – Badrinath Ki Dulhania
Senior Colorist Tushar Desai & VFX Supervisor Vinay Chuphal from FutureWorks take us behind the scenes of Badrinath Ki Dulhania.
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7 years ago
The Idea Was To Represent The Uniqueness Of Mumbai – Ravi K Chandran
Cinematographer Ravi K Chandran spoke to us about the making of Ok Jaanu, the challenge of representing Mumbai on screen and more.
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7 years ago
Didn’t want the costumes to overpower the vibe of the film – Eka
She’s the person behind the fresh, vibrant and seamless looks of Aditya Roy Kapur and Shraddha Kapoor in OK Jaanu. Meet Costume Designer Eka Lakhani.
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8 years ago
Angenieux 10x Optimo Anamorphic newly introduced in Mumbai
Angenieux introduced the Optimo Anamorphic 44-440mm A2S to reputed cinematographers like Anil Mehta, Sudeep Chatterjee, Ravi K Chandran and others.
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8 years ago
Pandolin Weekly Digest
Pandolin’s weekly glance at the stories from the world of cinema
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8 years ago
Though the film is set abroad, we wanted an Indian look: Ravi K Chandran
DOP Ravi K Chandran shares the experience of shooting his first digital film Baar Baar Dekho, working with director Nitya Mehra and more.
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10 years ago
The Big Leap from Cinematography to Direction
Visual masters tell us all about their new role as Directors.
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10 years ago
“I want to direct films that will make 100-crores” – Ravi K Chandran
Ravi K Chandran talks about his bitter sweet experiences while making The Deadly Farewell, his first short film.
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11 years ago
Yamla Pagla Deewana 2 has escapism at its core: Neha Parti
YPD 2 represents the absolute best of escapist cinema. It aims at making the audience laugh out loud and get their money worth for the close to 3 hours.
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11 years ago
Techniques to shoot an action sequence with a chase
Pandolin speaks to cinematographer Ravi K Chandran who shares the techniques used to shoot an action sequence with a chase with reference to the film Ghajini.
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